The Tradition

Editor’s Note:  Our long-time Notes & Queries writer Walt Saunders, who is now 86 years old and has been involved with this magazine since 1967, was under the weather this month.  We have asked noted bluegrass musician, scholar, entertainer, and historian Gary Reid to step in this month to write the Notes & Queries column. …

The Legendary Pete Kuykendall Brought To Life By Peter Rowan When it comes to featuring artists who are honored at the Bluegrass Music Hall of Fame & Museum, located in Owensboro, KY, our goal here at Bluegrass Unlimited Magazine is to look deeper than what you may read on their wall plaque. We will continue…

NOTES In the September 2020 column, there was a discussion of legendary fiddler John Ashby of Warrenton, Va., and the Ashby clan of Fauquier County. One member of the clan is J. Ashby Rollins, a singer and mandolin picker who worked with Charlie Smith’s Potomac Valley Boys. This writer saw the band a number of…

Peter Rowan has said, “When you are standing next to the fire that is Bill Monroe, you will ignite.”1  From the first time Bill Monroe and his Blue Grass Boys stepped on the Grand Ole Opry stage on October 28th, 1939, and played Jimmie Rodgers’ “Muleskinner Blues” so fast that it astounded the Opry regulars…

In the formative days of bluegrass, bands sought to offer a well-rounded entertainment package. Music, naturally, was the core of the programs but comedy was always an important component. Ralph Stanley, in speaking of the early days of the Stanley Brothers, recalled that “we used a comedian all the time; somebody would dress up and…

The Arnold Shultz Fund is launched in honor of influential western Kentucky musician In July 2020, the IBMA Foundation established the Arnold Shultz Fund to support activities increasing participation of people of color in bluegrass music. Arnold Shultz (1886–1931) was an African American musician from western Kentucky who had a profound influence on Bill Monroe’s…