The Sound

Story Behind The Song Two Highways

“I don’t know how much of this you can share, but I’ll tell you,” joked Larry Cordle about the story behind one of his earliest compositions.   “Two Highways” dates back to the late 1970s—a pivotal period in the life of this renowned songwriter.  It was recorded first by his childhood friend and musical mentor…

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Phil Salazar

And His Fabulous Fiddle Shop Many of the artists that we interview in Bluegrass Unlimited grew up in musical families.  The majority of them are raised in southeastern regions of the United States where bluegrass and country music was played in their homes from the time they were born.  California native Phil Salazar also grew…

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Bil VornDick with Don Henley and Rodney Dillard

Bil VornDick

Putting Together The Pieces   Photos Courtesy of Bil Vorndick Bil VornDick, audio engineer/producer to the stars, summarized his role in the studio and music industry, “I’m there to help people and I’m good at putting together puzzles. I like putting it together so people will enjoy listening to it.”  VornDick’s puzzles have garnered him…

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Bessie Mauldin, Bill Monroe, and Carter Stanley. Photo by Ann L Streeter

Story Behind the Song Wild Bill Jones

Any tribute to The Stanley Brothers calls for an inside look at a favorite Stanley Brothers song. I’m not the expert some are on The Stanley Brothers or Ralph Stanley, but I’ve always enjoyed their lonesome, high-in-the-mountains sound on songs like “Rank Stranger,” “Angel Band,” and so many others. In looking back through some of…

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Ralph  Stanley and the Whisnant Eagle Banjo

Photos by Jamie Alexander For many of us, the first-generation bluegrass pioneers were the link that pulled on our heart strings and gave us a lifetime infatuation for bluegrass music. Whether it be Flatt and Scruggs, Monroe, The Stanley’s, Reno and Smiley—or whoever it may have been—it seems that each individual connects in some way…

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Tyler White Mandolins

Photos by Bud Osborne  DSecades ago, someone approached me at Bean Blossom and asked for feedback on a mandolin he’d built. The F-5 style instrument looked like a C- grade junior high school shop project. Not a smooth curve or straight line anywhere, and the finish looked like he’d melted Crayons over it. I played…

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