The Archives
Blue Highway — It’s A Long, Long Road
Reprinted from Bluegrass Unlimited Magazine March 1996, Volume 30, Number 9 The arrival of a significant new band in bluegrass is always a momentous event. When one does appear with the clear potential to become a major player, it is absolutely fascinating—as well as great fun—to watch. Few bands indeed have the combination of utterly…
Cleo Davis — The Original Bluegrass Boy
Reprinted from Bluegrass Unlimited Magazine February 1982, Volume 16, Number 8 and March 1982, Volume 16, Number 9 On March 9, 1919, a doctor rode his horse-drawn buggy through the hills of northwest Georgia to the home of Ben and Effie Davis. He was summoned because Effie was about to have a baby. By the…
The Sally Mountain Show
Reprinted from Bluegrass Unlimited Magazine September 1983, Volume 18, Number 3 The Sally Mountain Show’s stage presentation carries a great deal of visual appeal but its real story concerns the group’s refreshingly different sound, loaded with “punch” and vocal force that has to be heard to be appreciated. The raw power is supplied by 20-year-old…
The Jerry Douglas Story
Reprinted from Bluegrass Unlimited Magazine August 1991, Volume 26, Number 2 New grass, bluegrass-fusion, country-rock, new-country, super- picker. All these terms and more have been used to describe or explain the new breed of hot pickers such as Jerry Douglas. They are usually in their late ’20s or early ’30s. Their parents were born in…
Alan Munde
Reprinted from Bluegrass Unlimited Magazine October 1976, Volume 11, Number 4 Bluegrass banjo’s ever-widening popularity, both here and in Europe, has been greatly broadened through the innovative efforts of one 29 year old native of Norman, Oklahoma, Alan Munde. As an integral component of The Country Gazette for almost five years now, Al has more…
Expanding the Horizons — Susie Monick and Tony Trischka
Reprinted from Bluegrass Unlimited Magazine December 1976, Volume 11, Number 6 While there are plenty of lightning-quick banjo pickers around, only a handful have directly contributed to the stylistic development of the instrument. Earl Scruggs, of course, is the giant in the field. Scruggs took the raw style he picked up in North Carolina from…