The Archives
Bill Harrell and the Virginians
Reprinted from Bluegrass Unlimited Magazine December 1985, Volume 20, Number 6 By J. Wesley Clark & J. Michael Hosford [Editor’s note: In March of this year, after the interview for this article was done, Paul Adkins joined the Virginians playing mandolin, Paul was out of the music business for a year and a half prior…
The Kentucky Twins
Reprinted from Bluegrass Unlimited Magazine June 1986, Volume 20, Number 12 To the younger generation of bluegrass fans, the number of brother duets whose stylings influenced the music’s development must seem like an endless list —from Anglin, Bailes, Cope, Delmore and ever onward. One can then shift to Andrews, Bolick, Callahan, Dixon, and perhaps move…
The Reno Brothers—Continuing A Musical Legacy
Reprinted from Bluegrass Unlimited Magazine December 1990, Volume 25, Number 6 Six years after the passing of their father, the Reno Brothers continue a tradition in creating music that has been as much a part of their family as the family tree itself. But an account of the Reno Brothers must reach back to the…
A Tribute to Leon Morris
Reprinted from Bluegrass Unlimited Magazine April 1996, Volume 30, Number 10 It was a cold and snowy December evening in 1980, when I happened upon, what was then, Partners 2 Restaurant in Centreville, Va. Just recently having relocated from upstate New York to Manassas, Va. I was checking out the local forms of entertainment. The…
John Shuffler
Reprinted from Bluegrass Unlimited Magazine July 1997, Volume 32, Number 1 Those devoted to the bluegrass music’s first generation could compile a list of great sidemen whose names and stories are unfamiliar even as their work lives on in reissued recordings and in the playing of younger musicians who learned from them. Former Clinch Mountain…
Joe Val and the New England Bluegrass Boys
By Mike Greenstein Reprinted from Bluegrass Unlimited Magazine July 1977, Volume 12, Number 1 Joe Val and the New England Bluegrass Boys live in Boston, far removed geographically from the nation’s major bluegrass belt. In style and philosophy, however, this quartet with heavy Yankee accents still speaks the language of the bluegrass mainstream. Unlike many…





