The Archives

Reprinted from Bluegrass Unlimited Magazine May 1993, Volume 27, Number 11 The creases around his eyes cast deeper shadows now and distinguished touches of gray highlight his beard. Gone is the skinny young man who was thrilled to have Byron Berline and Jethro Burns play on his solo album. In his place stands a mature,…

Photos by Lance LeRoy Reprinted from Bluegrass Unlimited Magazine October 1982, Volume 17, Number 4 The classic bluegrass music sound as most refer to it today was born in Nashville, Tennessee, on a Saturday night in the latter part of 1945, when Bill Monroe, Lester Flatt, Earl Scruggs, Howard (Cedric Rainwater) Watts and “Chubby” Wise…

Reprinted from Bluegrass Unlimited Magazine June 1990, Volume 24, Number 12 The Hot Rize boys have just been called back to the stage for their third encore at Liberty Hall in Lawrence, Kansas. Roses are delivered to the stage by four young ladies and the entire packed house, including a group of guys in the…

Reprinted from Bluegrass Unlimited Magazine April 1984, Volume 18, Number 10 Ralph Emery talks to guest Tom T. Hall as we return from a commercial break on the Nashville Network’s “Ralph Emery Show”: Ralph: What do you think of when you hear Hot Rize, Tom? Tom: Martha White products, Lester Flatt and Earl Scruggs and…

Reprinted from Bluegrass Unlimited Magazine May 1976, Volume 10, Number 11 As I sat in my car across the street from the Fifth String on North High Street in Columbus, Ohio, it occurred to me that bluegrass had come a long way there in the years since I’d left town. In the early sixties you…

Reprinted from Bluegrass Unlimited Magazine August 2000, Volume 35, Number 2 On a record that became a turning point for bluegrass, a particular Bryan Sutton solo likewise became a turning point for the brilliant young guitarist. The disc was Ricky Skaggs’ “Bluegrass Rules,” the CD that showed the world at large the immense vitality and…