The Archives
The Stability and Versatility of The Seldom Scene
Reprinted from Bluegrass Unlimited Magazine July 1980, Volume 15, Number 1 Many years ago, John Duffey attended the annual auction of a post office selling items lost or unclaimed in the mail. Through a low bid, he acquired a large box of broken musical instruments. There among the damaged treasures was Duffey’s first mandolin. In…
The Sullivan Family — Goodwill Ambassadors of Bluegrass Gospel
Reprinted from Bluegrass Unlimited Magazine October 1980, Volume 15, Number 4 The Sullivan Family of St. Stephens, Alabama, represent a synthesis of two of the strongest and most vital American musics: gospel and bluegrass. It is a powerful combination, the melding of these two musical styles, and the driving, emotional music of the Sullivan Family…
Barry Poss and Sugar Hill Records
Reprinted from Bluegrass Unlimited Magazine October 1982, Volume 17, Number 4 Ten years ago, if a gypsy fortune teller had told Barry Poss that he would someday run a small but successful record company with the unlikely name of “Sugar Hill,” he probably would have laughed and asked for his money back. Ten years and…
Alison Krauss & Union Station—Flight Plan Paper Airplane Lands AKUS Back On The Bus
Reprinted from Bluegrass Unlimited Magazine October 2011, Volume 46, Number 4 When rock’s Golden God met the Grammys’ all-time winning woman, he had something on his mind. “My first conversation with Robert (Plant) in person was about Ralph Stanley,” Alison Krauss says, sipping tea in the kitchen of her Nashville home. “I loved that. Robert’s…
Alison Krauss and Union Station
Reprinted from Bluegrass Unlimited Magazine June 1991, Volume 25, Number 12 “If only all those country (or pop or rock) fans who say they don’t like bluegrass would just give it a listen, they’d love it.” “If only the mass media would give bluegrass some positive exposure…” Those of us who care about bluegrass are…
J.D. Crowe
Reprinted from Bluegrass Unlimited Magazine April 1995, Volume 29, Number 10 J.D. Crowe has been described as a “musician’s musician” and indeed the subtlety of his playing and his clever innovations are the type of things frequently best appreciated by other musicians. Yet Crowe’s popularity has been far from limited to pickers. The enthusiastic response…