Reviews

Not much time passes before there’s a fresh musical salute to one or another of bluegrass’s founding figures. These tributes not only strengthen and reaffirm bluegrass’s crucial links to its past, they also seem to provide a subtle moral compass in terms of reinforcing the music’s integrity with each new generation of musicians. Along those…

East Kentucky-born Carl Bentley grew up singing in church in and around his hometown of McDowell. At age 10, he was given a Ralph Stanley album featuring Keith Whitley by his father, who was also a musician.  That was all it took. To this day, Bentley still wears the Stanley-Whitley influence, and wears it well….

“Details,” the opening track of Dumas’s second solo album, an uplifting and encouraging love song, jumps right out at you in a warm and welcoming manner that persists through this entire 11-song collection. Dumas, of course, is the sort of celebrated musician from whom we’d expect nothing less. The Grammy-nominated, IBMA award-winning singer and mandolin…

Many bluegrass fans and scholars mark the beginning of bluegrass music, as we know it today, from the date in late 1945 when Earl Scruggs joined Bill Monroe and his Blue Grass Boys.  However, the band had been active on the Grand Ole Opry, in various configurations, since 1939.  During those first six years, Monroe…

Like Tony Rice and David Grisman before him, guitarist Ross Martin fords across genres, treading the borders of jazz and bluegrass. A longtime member of the Matt Flinner trio, and regular duet partner of Grant Gordy, Martin is equally at home picking on a fiddle tune, navigating the tight corners of a Bud Powell composition…

The Path I Choose to Walk, the debut album from Humbletown, a duo from South Dakota featuring Morgan Carnes on banjo and Dylan Lewis on guitar and mandolin, is the sound of warm spring air, with its gentle melodies and vocals that bend, sway, and twirl, dancing in perfect harmony.  The contrast between the two…