Reviews
THE FOGHORN STRINGBAND, DEVIL IN THE SEAT
THE FOGHORN STRINGBAND DEVIL IN THE SEAT No Label No Number Caleb, Sammy, Reeb, and Nadine are back with 16 selections on the eighth Foghorn Stringband recording. They open with a sprightly version of “Stillhouse” from Virginia banjo player Matokie Slaughter and then go into a powerful Reeb/Nadine duet of Hazel and Alice’s “Mining Camp…
ADKINS AND LOUDERMILK
ADKINS AND LOUDERMILK Mountain Fever Records MFR150317 On Dave Adkins’ solo recording last year were bassist Edgar Loudermilk, guitarist Jeff Autry, banjoist Jason Davis, mandolinist Wayne Benson, and fiddler Justen Haynes. Adkins and Loudermilk wrote one song together, and three each separately. They co-produced and Aaron Ramsey and Mark Hodges engineered. The results were good…
CHUCK WAGON GANG, MEETING IN HEAVEN
CHUCK WAGON GANG MEETING IN HEAVEN New Haven 8109-2 A new CD, Meeting in Heaven, presents today’s Chuck Wagon Gang, whose glowing voices add a new degree of musical brilliance to the vocal blend of the original quartet. Shaye Smith has inherited her grandmother Anna Carter’s warm and passionate alto, and she guides the group…
BLUE MAFIA, PRAY FOR RAIN
BLUE MAFIA PRAY FOR RAIN Pinecastle Records PRC1194 This fine band is as strong as ever. Edgy and driving like a fully-loaded locomotive, they bowl down everything in their path. Dara and Tony Wray form the nucleoli with strong support from singing fiddler Kent Todd. Michael Gregory on bass and Cody Looper on banjo round…
BILLY HURT, FIDDLIN’ BILLY HURT
BILLY HURT FIDDLIN’ BILLY HURT Patuxent Music CD 260 All-instrumental fiddle records have been at a premium of late. Scanning BU from March 2014 to March 2015, I count three. This solo debut from Billy Hurt, an old hand at the sideman’s role and a current member of Karl Shiflett’s Big Country Show, makes four….
WOOD & WIRE, THE COAST
WOOD & WIRE THE COAST No Label No Number You’ve got to love the free spirit of younger singer-songwriters especially when they sound a bit like Tim O’Brien and pull their influences from Celtic and folk sources more so than bluegrass. They do have a grassy feel. It’s just tempered with these other flavors and…