Articles

Reprinted from Bluegrass Unlimited Magazine May 1997, Volume 31, Number 11 “There are three types of history for our music,” said the old man. “There’s mullet history—that’s the kind you tell to people from Minnesota who don’t know what a banjo is. Then there’s book history—that’s where you divide up the music into a different…

Reprinted from Bluegrass Unlimited Magazine February 1979, Volume 13, Number 8 In the Southern part of the nation, they still talk about that sunny, Sunday afternoon in north Georgia in 1977 when Sonny and Bobby Osborne invited a Florida fiddle player named Chubby Anthony on stage with them to perform a set consisting almost totally…

Pitney Meyer is the Nashville-based duo of singer-songwriters Mo Pitney and John Meyer, from, respectively, Illinois and Missouri. Both came out of family bluegrass backgrounds.  The two first crossed paths at an IBMA convention in Nashville a decade and a half ago. Since then, their friendship and musical association have flourished. Along the way, they’ve…

John Hartford’s legacy, at the time of his death, would have been cemented in music history if he had written only “Gentle on My Mind,” but he made a huge mark playing fiddle and banjo, his tapping feet always moving. Hartford’s songwriting, singing, and playing, even his fascination with steamboats influenced scores of musicians and…

Clayton McMichen was a renowned fiddle player who was noted for his ability to perform in a variety of styles including traditional, bluegrass, pop, jazz, and country. Born in Georgia in 1900, he was from a musical family and began learning the fiddle at a young age. From 1922 until his passing in 1970, McMichen…

A lot of students are turning to YouTube to learn how to play their instruments these days.  The upside is that it doesn’t cost anything.  The downside is that there typically is not a well-designed step-by-step learning method presented with an effective multi-media approach to learning foundational material and theory along with a progressive method…