Skip to content
Register |
Lost your password?
Subscribe
logo
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Tracks
  • The Archives
  • Log in to Your Account
  • Contact
  • Subscribe
  • Search
  • Login
  • Contact
Search
  • Magazine
    • Current Issue
    • Past Issues
    • Festival Guide
    • Talent Directory
    • Workshops/Camps
    • Our History
    • Staff
    • Advertise
    • Contact
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Podcasts
  • Lessons
  • Jam Track
  • The Archives

Home > Articles > Reviews > HIGH FIDELITY

RR-High-Fidelity

HIGH FIDELITY

Bluegrass Unlimited|Posted on September 1, 2020|Reviews|No Comments
FacebookTweetPrint

High FidelityHIGH FIDELITY
BANJO PLAYER’S BLUES

Rebel Records
REB-CD-1874

   Remember the first time you heard bluegrass? The thrill in that banjo sound? The plaintiff vocals over the rapid paced music? The searing edge of the fiddle as it glides in and out of the proceedings and the cut of that mandolin as it jumped to the fore in that powerful sound? Do you remember that thrill? Well, here it is again. The rhythms are true bluegrass. This music does not want to be anything else. No outside influences from all that has transpired in the last seventy years. This is bluegrass like it was in the golden era of the 1950s and ’60s.

Jeremy Stephens and Kurt Stephenson can play their banjos in great harmony and then jump on guitar when needed. Daniel Amick holds down the mandolin slot until he slides over to guitar. Vickie Vaughn not only sings like an angel, her bass playing is spot-on. Corrina Rose Logston, Stephens’ wife, is a force of nature on the fiddle, as one listen to her version of “Turkey In The Straw” confirms. The whole band sings and does so with power that comes from a well of soul. These guys are Christians and let you know it. They sing some of the best gospel one is apt to hear these days. The polyphony of “His Charming Love” is extremely effective. “Dear God” and “Got A Little Light” capture more of the depth and range in this realm.

One warhorse shows up here, Arthur “Guitar Boogie” Smith’s “Feuding Banjos.” This blazing example of instrumental prowess will send you back to the original 1955 recording that can be found online to compare. Those guys were hot, but these guys are hotter. It will take several concentrated listenings to discern just what they are doing on this cut. Throughout this project, the double banjos really make a powerful statement.

Jesse McReynolds, one of their heroes, joins them on “Tears Of Regret,” a long lost tract by the McReynolds brothers. Even at his advanced age, McReynolds still sounds great. This review could be much longer, but suffice it to say, this is the best pure bluegrass album to come along since the last one by this band. (www.rebelrecords.com)RCB

FacebookTweetPrint
Share this article
Facebook
X (Twitter)
Linkedin

Leave a Comment Cancel Reply





This site uses Akismet to reduce spam. Learn how your comment data is processed.

April 2025

Flipbook

logo
A Publication of the Bluegrass Music Hall of Fame & Museum / Owensboro, KY
  • Magazine
  • The Tradition
  • The Artists
  • The Sound
  • The Venue
  • Reviews
  • Survey
  • New Releases
  • Online
  • Directories
  • Archives
  • About
  • Our History
  • Staff
  • Advertise
  • Contact
  • Subscriptions
Connect With Us
Facebook
Instagram
Twitter
YouTube
bluegrasshalloffame
tannerpublishing
tannerwest
Subscribe
Give as a Gift
Send a Story Idea

Copyright © 2025 Tanner Publishing Co. All Rights Reserved. Privacy Policy
Website by Tanner+West

Subscribe For Full Access

Digital Magazines are available to paid subscribers only. Subscribe now or log in for access.